When ArtsFund sat down on Zoom with Masterworks Choral Ensemble’s (MCE) Artistic Director Ben Luedcke, Board President Roslyn Dailey, and Marketing & Development Chair Elise Marshall, they were just a few hours out from their first rehearsal of the season and brimming with enthusiastic energy. Although MCE was established in 1981, all three (and, in fact, most of the leadership team) are relatively new to the organization: Roslyn joined in 2018, Elise in 2022, and Ben in 2023. Of their 110 current members, approximately 40% have found their way to MCE over the last two years, a pandemic ramification which Roslyn says has been a silver lining to a difficult time: “It’s ended up reinvigorating things for us in some surprising ways.”
In practice, that reinvigoration has looked like a series of long and thoughtful conversations about the steps – large and small – that a volunteer-led choral group could take to more actively center diversity, equity, and inclusion in its music-making and community engagement. Over the last year, the group has made internal changes such as shifting their dress code for performances (MCE originally required tuxedos for men and skirts for women; now there is no gender-specific requirement), determining which vocal parts members sing by vocal range rather than gender and addressing the sections as sopranos, altos, tenors, and basses rather than “ladies” and “gentlemen,” and adapting its December concerts, moving beyond Christmas music to embrace broader themes of peace, light, and hope. Externally, the choir is working to expand its community by bringing in (and compensating) diverse musical collaborators and refining its audition criteria to rely less heavily on music literacy, which Ben notes is a skill more often taught in white and affluent school districts.